Flash mob images uploaded to Google Maps
This film was made as part of the Creative Campus project in Tallaght in September 2011. We decided to highlight the unusual proprietary situation of the vacant new developments in Tallaght. They are in a meta-zone between public and private ownership; spaces including shop units and public walkways that were owned by banks and other private developers have been bailed out by NAMA, and are now theoretically part of the assets of the Irish state. CCTV and security guards are an ubiquitous presence, they protect the vacant properties from being vandalised through heavy monitoring and patrolling. Photography is one of the activities that not permitted. A representative of Dublin City Council said that, because these streets are private property, you must have public liability insurance to take a photograph there. The flash mob was intended to be a intervention into the politics of the space, and a polite confrontation with the highly controlling nature of its private policing. The photographs accumulated from this event have been used in several ways: a series of images with privately-owned zones blacked out, providing a starkly visible delineation between public and private; flooding the currently blank Tallaght Cross area on Google maps with images of this unphotographable area (http://g.co/maps/jmxtv); and finally, as part of a video piece documenting the event. Finally, I have been recording the GPS coordinates of the invisible border between public and private in Tallaght Cross. This symbolic list denotes the public perimeters of where you can legally photograph private zones. ---------------------------------------------------------------- As part of this project, I had been in contact with the private security firm guarding this area in order to get a full explanation as to why one is not permitted to take photographs in this area. After repeated followups, I finally got an email from the security firm saying that asking members of the public not to take photos "is not part of our assignment instructions and the security staff member may have been over zealous in his duties on the day and did so on his own initiative." This does not tally with reality: every time that I and other people I know try to take photographs in this area, all the security guards tell us that photography is not allowed. For more information on this project, visit: http://uncommonland.wordpress.com
Public/private perimeter coordinates Tallaght Cross
This video piece documents Uncommon Land’s photography flash mob in the IFSC area of Dublin on May 19th, 2012. The video piece was made using photographs and video footage taken by participants in the flash mob. More than 35 people took part, capturing 1,321 photographs and 53 minutes of video in defiance of the photography ban in this area. For more about this flash mob, see http://uncommonland.wordpress.com/2012/06/08/photo-blitz-in-dublins-ifsc/
Invisible-Lines-artist-book-eilis-murphy.jpg
This video piece documents Uncommon Land’s 3rd photography flash mob in Hanover Quay, Dublin. The video piece was made using photographs and video footage taken by participants in the flash mob. The video piece was made using photographs and video footage taken by participants in the flash mob, which took place on August 1st, 2012. Over a short period of 5 minutes, 38 people captured 780 photographs and 19 minutes of video. For more about this flash mob, see http://uncommonland.wordpress.com/2012/08/18/hanover-quay-hijinx/

Uncommon Land

This is an urban intervention project which explores how public space is used and controlled and in particular, how pseudo-public space is regulated. Ownership and control of public spaces and public services are gradually being transferred to private corporations. Often this transfer of power alters how the public perceives and uses the city, especially these privately owned ‘public’ areas.

This project seeks to question the subdivisions that exist within cities, highlighting the invisible borders between public and private streets. It is intended to be an intervention into the politics of these spaces, a polite confrontation with the highly controlled and privately-policed nature of these zones.

Through flash mob events, online mapping and video documentation, my aim was to explore the growing trend of pseudo-public spaces governed by their own set of rules and regulations. The project invites members of the public to participate in acts that are normally unremarkable, but that are locally contested because of the legal status of the area in which they are carried out. The project tests the boundaries of what is arbitrarily forbidden within certain spaces in the city.

Many of the interventions focus on the act of taking a photograph. This apparently simple act is often forbidden in these pseudo-public areas. These events poke fun at the space’s sterile, controlled environment, momentarily interrupting its flow. It also briefly reverses the power dynamic of a space in which members of the public are filmed on CCTV while being restricted from certain activities.

Uncommon Land locates itself on the intersection between the virtual and physical worlds. Among the problems it seeks to address is a duality or contradiction between the physical (streets that appear to be public) and the virtual (invisible boundaries imposed on the urban landscape that render those streets private). This duality is mirrored by the form and presentation of this artistic intervention. The installations explore the interplay between these virtual and physical worlds: the virtual map created by the participants’ geo-tagged photographs and video footage is transferred back into the physical realm through the creation of a pencil-drawn map, walks around invisible borders in an area are mapped virtually using GPS systems.

There is also a temporal duality at work: the intervention into the urban space lasts only a few minutes, but the use of technology to upload and tag the photo and video material creates a long-term presence on the internet. The laborious and repetitive process of recording this information online, playfully subverts the hyper-efficiency of these online tools.

Please see http://uncommonland.wordpress.com for more information.

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